OLD, NEW, BORROWED AND BLUE
Here we go, a quick round-up of some of the music that has been floating around my brain for the last few days. It’s a relatively mellow collection of four, loosely bundled into a four heading structure with links, videos and blurbs. This’ll be a recurring round-up, though who can know what form future editions will take? Let’s begin by seeing just how much one man with a microphone, a violin and a loop machine can accomplish in seven minutes. Quite a lot, as it turns out.
Long before KT Tunstall sprang to fame with this Jools Holland performance, Andrew Bird was perfecting the art of building huge sounds solo with loop machines, a guitar, a violin, a great voice and an absurd talent for whistling. This video is from his From the Basement performance in 2008. The two minute orchestral outro is shockingly beautiful. That kicks in at about the five minute mark.
Word of Alt-J’s stand out Latitude performance recently put me on to this four piece out of Cambridge. The album (free to listen too in its entirety via the Soundcloud link above – all bands should do this), is well worth a proper sit-through if you enjoy Tesselate, below. It’s about a man who likes triangles and tessellating, and probably also spoons, and spooning. The lyrics evoke a confusing sequence involving shapes, sex and sharks. The video, meanwhile, provides “a twist on Italian Renaissance painter Raphael’s ‘The School of Athens‘, set in a modern day gangster’s paradise.” Smash all of those concepts together in your mind with the aid of this:
By a breath of fortune the band supporting Metric in London a couple of weeks ago happened to be excellent. They’re called Chew Lips. Bad name, good band. By force of sheer passion, singer ‘Tigs’ blasted through traditionally muddy support act mixing to deliver a great set, which made yoinking a flyer feel like a good idea. Karen felt like the “in” for me when I remembered to follow up on that performance with listens at home, so I’ve embedded the video below. It features an androgynous bloke and a girl frolicking in an apartment with a dove. I’d suggest that we need sturdier rules concerning the use of doves in foreplay, but check 1:10, that bird dives right in of its own accord, the frisky avian.
Wallander is back on the BBC! Good news for fans of existential angst, murder, bleak monochrome landscapes and lovely, sad folk music. Wallander’s intro theme is a specially recorded version of Nostalgia, which I couldn’t find, so I’ve slotted in the original version instead. It does the job quite nicely. The second bite, Pause, was the theme for glacial BBC murder thriller, The Shadow Line, which doesn’t help the vague feeling that I’m about to be serial-killed to death whenever Emily Barker pops into an iPod playlist. Your experience may differ.